Sunday, 19 April 2026

✧ Book Review ✧ Lucie Dumasby by Katherine Mezzacappa


Lucie Dumas
By Katherine Mezzacappa



Publication Date: March 30th, 2026
Publisher: Stairwell Books
Pages: 278
Genre: Historical Fiction


London, 1871: Lucie Dumas of Lyon has accepted a stipend from her former lover and his wife, on condition that she never returns to France; she will never see her young son again. As the money proves inadequate, Lucie turns to prostitution to live, joining the ranks of countless girls from continental Europe who'd come to London in the hope of work in domestic service.


Escaping a Covent Garden brothel for a Magdalen penitentiary, Lucie finds only another form of incarceration and thus descends to the streets, where she is picked up by the author Samuel Butler, who sets her up in her own establishment and visits her once a week for the next two decades. But for many years she does not even know his name.


Based on true events.


 ✧ Review ✧

Lucie doesn’t start her story with hope or big expectations. It feels more like she’s already accepted how her life has turned out, as if things settled into place long ago and there’s not much point imagining they could have gone differently. Her days in London are small and contained, shaped by routine and the people who come and go. There’s some comfort in that, but it never feels like real freedom. From the beginning, you get the sense this life is something she’s had to make work, not something she chose.

As she moves between past and present, that feeling grows stronger. The shifts are gentle, and her earlier life in Lyon comes through in pieces. At first, everything seems stable and respectable, but slowly you see how fragile it all is. Family pressures, circumstance, and lack of options quietly close in, and what might have looked like choice starts to feel more like a path she was pushed onto. There’s a sense that things were set in motion before she even realised it.

Gaston is the first real change in that early life. With him comes the idea of escape, of something different, but it never quite feels solid. Even in those moments, there’s a hint it won’t last. What follows isn’t a sudden collapse but a slow wearing down of that hope, until she’s left to deal with things on her own, without many options.

Her move into prostitution isn’t written as a dramatic turning point either. It comes across as something she slips into because she has to, through a series of small decisions rather than one big moment. The story doesn’t judge her for it or try to oversimplify it. Instead, it shows how she learns to navigate that world, finding ways to hold onto some control, even if it’s always limited.

By the time her life in London settles, there’s a kind of surface order to it. Her rooms, her routines, the regular visitors—it all looks stable from the outside. But it depends on keeping things quiet and on the people who support that life continuing to show up. Her relationship with Monsieur reflects that. He offers consistency, but he also sets the terms, and there’s always an imbalance between them that never really goes away.

Running alongside all of this is the loss of her son. It’s not treated as one clear moment but something that stays with her, shaping how she sees herself over time. It feels unresolved, more like an open question than a memory she can put behind her, which makes it hit harder.

As the story goes on, things turn inward. The routines that once gave her structure start to feel more like a trap. Time passes, her work slows, her world shrinks, and her thoughts become quieter, more reflective. There’s no big shift, just a gradual fading.

Her illness brings everything into sharper focus. As her physical strength goes, it echoes the loss of control she’s faced before. What’s left isn’t resistance so much as a clear-eyed way of looking at things. The writing stays restrained here, focused on what is rather than trying to force meaning out of it.

By the end, there’s no neat resolution, just a sense that she understands her life for what it has been. She doesn’t try to dress it up or turn it into something it wasn’t. She simply tells it as it is—shaped by circumstance, limited by what was available to her, and carried forward because it had to be.

It’s a quiet, thoughtful historical novel that builds its impact slowly. It doesn’t push for big emotional moments, but it stays with you because of how honest and restrained it feels.




 ✧ Buy Link ✧

Katherine Mezzacappa


Katherine Mezzacappa is Irish but currently lives in Carrara, between the Apuan Alps and the Tyrrhenian Sea. She wrote The Ballad of Mary Kearney (Histria) and The Maiden of Florence (Fairlight) under her own name, as well as four historical novels (2020-2023) with Zaffre, writing as Katie Hutton. She also has three contemporary novels with Romaunce Books, under the pen name Kate Zarrelli. The Maiden of Florence was shortlisted for the Historical Writers’Association Gold Crown award in 2025 and has also been published in Italian.

Katherine’s short fiction has been published in journals worldwide. She has in addition published academically in the field of 19th century ephemeral illustrated fiction, and in management theory. She has been awarded competitive residencies by the Irish Writers Centre, the Danish Centre for Writers and Translators and (to come) the Latvian Writers House.

Katherine also works as a manuscript assessor and as a reader and judge for an international short story and novel competition. She has in the past been a management consultant, translator, museum curator, library assistant, lecturer in History of Art, sewing machinist and geriatric care assistant. In her spare time she volunteers with a second-hand book charity of which she is a founder member.

She is a member of the Society of Authors, the Historical Novel Society, the Irish Writers Centre, the Irish Writers Union, Irish PEN / PEN na hÉireann and the Romantic Novelists Association, and reviews for the Historical Novel Review. She is lead organiser for the Historical Novel Society 2026 Conference in Maynooth, Co. Kildare.

Katherine has a first degree in History of Art from UEA, an M.Litt. in Eng. Lit. from Durham and a Masters in Creative Writing from Canterbury Christ Church.


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✧ Book Excerpt ✧ Another Soul Saved by John Anthony Miller




Another Soul Saved 
By John Anthony Miller


Publication Date: April 1, 2026
Publisher: Independent
Pages: 415
Genre: Historical Fiction

Vienna, 1941

Monika Graf, the wife of a wealthy Austrian military commander, steals two Jewish girls from the Nazis—a crime often punishable by death. With soldiers in rapid pursuit, a homeless Jew named Janik, a mysterious man who lurks in the shadows, helps her escape.

Unable to have children of her own, she finds a new purpose in life—rescuing Jewish children from the horrendous Nazi regime. She asks the Swiss for help, trading military secrets she gleans from her husband for the lives of Jewish children. With Janik’s continued support, she also enlists Father Christoff, a priest at St. Stephen's Cathedral coping with unexpected emotions and doubting his commitment to God. Monika quickly forms bonds that can’t be broken, feelings exposed she never knew existed. 

Relentlessly pursued by Gestapo Captain Gustav Kramer, Monika combats continuing risk to her clandestine operation. When her husband, a rabid Nazi, returns from the battlefield severely wounded, she gets caught in a cage that she can’t crawl out of.

Wrought with danger, riddled with romance, Another Soul Saved shows humanity at both its best and worst in a classic struggle of good versus evil.



 ✧ Excerpt  


Chapter 1
Vienna, Austria
March 25, 1941

Monika Graf walked past St. Stephen’s Cathedral and eyed the Nazi flag draped down the front of the Hotel Strauss, celebrating the superiority of the Aryan race. The flag, and others like it, hung from many iconic structures, staining a city of architectural masterpieces—curved Art Nouveau buildings accented by sculptures and Baroque palaces built with columns and colonnades. Perched beside the Danube, the river twisting around it, Vienna was founded in genius, home to Beethoven, Mozart, Hayden, and Strauss, their masterpieces silenced by Nazi boots thumping down cobblestone streets. 

Her view of the eight-hundred-year-old cathedral, its spire cutting through clouds to reach the hand of God, was marred by a Nazi patrol marching past it—providing a stark contrast of good versus evil to the enlightened soul. Two policemen, chosen for their willingness to intimidate any who crossed them, wandered the square around the church, determined to find suspicious activity—whether it existed or not. They ignored four Hitler Youth who were taunting a gray-haired woman selling Bibles to benefit the church and focused instead on an older man who shook his head with disgust while he briskly walked past them. Monika looked away as she approached. It was best to avoid eye contact and show no interest, intent on reaching her destination.

A slight woman in her mid-thirties, she inherited her olive complexion from her Italian mother, along with dark eyes and black hair that rested on her shoulders. Born in Innsbruck, she had married wealth, her husband Armin serving as Chief of Staff to Max Kern, a highly capable Austrian general. She’d seen little of him since Germany had invaded Poland eighteen months before, starting a war that the entire world would gradually enter. And now, as fighting continued, Monika feared she would see her husband even less.

She continued past the Hitler Youth and avoided the marching soldiers. As she turned the corner on the north side of the plaza, she saw two little girls cleaning the cobblestone with toothbrushes. It was a common punishment for Jews, usually not for what they did but because of who they were. Authorities continually harassed them, often assigning menial tasks that created the greatest humiliation. The girls were young, seven or eight at most, and Monika wondered if they were sisters or two random children impacted by a world at war, their innocence stolen forever. A bucket sat between them, a German soldier paced nearby, and three Jewish women dressed in the latest fashions also cleaned the street. One used a silk camisole she may have worn the night before, the second a mink stole, the third a beige blouse that was torn and tattered from rubbing the stone that made the plaza that wound around the cathedral. 

Monika pretended to study radios displayed in the nearest shop window while she furtively eyed the girls, their faces smudged, their dresses soiled. She heard Mozart faintly playing—Symphony 41—the beauty of the moving melodies overshadowed by the ugliness in the street. Across the plaza, a long line of Jews waited at an emigration center, once a Jewish jewelry store long ago emptied of its contents. They came from all walks of life—a rabbi with a long white beard, a yarmulke perched on his head, several men in work clothes, families with well-dressed children, and couples holding hands. 

Jews hoping to emigrate were a familiar sight in Vienna—almost half of the city’s population had left in the last few years, encouraged by authorities to do so. But it was only those who could afford the exorbitant fees that had gone—doctors, dentists, lawyers, and famous Jews like Dr. Sigmund Freud. The poor and frail remained, vulnerable and afraid. The residents acted as if Jews were invisible. They ignored them, united in their hatred. 

The shop door opened, and a man with gray hair and black glasses stepped out. “May I help you with anything?” he asked. 

Monika smiled. “No, but thank you,” she said. “I was only admiring your merchandise.”

“I’m Heinrich Hahn,” he said as he motioned to the store. “This is my shop.”

“It’s very nice,” she said. She assumed he was a pleasant man—at least he acted like one—but she didn’t want to be bothered. 

“We have a large selection to choose from,” he continued, proud of his store and all it contained. He paused, waiting for her reply. When none came, he turned to the line of Jews and the women and children cleaning the streets. “It never ends, does it?”

She shifted her gaze to the two little girls, wondering if she could somehow protect them. “No, it doesn’t,” she said. She cringed, hating how they were treated, but quickly recovered. Showing compassion for Jews was dangerous—even when they were children.

“Where do you think they’re going?” he asked, not noticing her reaction.

“I don’t know,” she said. “Most of Europe is fighting.”

“What if you had to guess?” he asked, as if he knew something that she did not.

She wasn’t sure what he was trying to say—or why he would say it. “Anywhere that will take them, I suppose—Switzerland, Spain, Portugal. I’ve been told that some book passage on ships to Palestine. But I don’t know much about it.”

“I do,” he whispered, leaning closer. “Few actually emigrate nowadays. They only think they do.”

She thought his comment strange, but didn’t comment. Maybe he knew what others did not. “Where do they go?” she asked.

He eyed passing pedestrians—women, children, and older men who were veterans of the last war but too old to fight the new one—and then studied the soldiers guarding the Jews. “I was in Linz to buy stock for my store,” he said. “Just outside the city, I saw a camp with stone walls and lookout towers manned by soldiers with machine guns.” He leaned closer, whispering. “It was filled with Jews.”

She tilted her head. “If it had stone walls, how do you know it was filled with Jews?”

He didn’t answer her question. “A quarry is nearby.” 

Monika wasn’t sure she understood what he implied. “Are Jews working at the quarry?” 

He shrugged. “They must be,” he said. “We do have a labor shortage. Most men are in the military—unless they perform a critical function.” He eyed her cautiously, as if he didn’t know whether to continue. “I’m told some Jews have been worked to death.” 

Her eyes widened. The image of men toiling until they dropped made her nauseous. “I know nothing of this,” she mumbled. “Nor do I want to.” It was too horrific to be true. But why would he tell her if it wasn’t? 

Hahn eyed her warily. “You seem surprised.” 

“It’s the children who worry me most,” she said, nodding her head toward them. She avoided the Jews. Everyone did. But now she was interested, listening to stories that had to be lies while she watched children scrubbing streets, guarded by soldiers. “They’re innocent. They don’t deserve this.”

“They’re orphans,” he said. “I see them all over, rummaging through trash cans or begging on the streets.”

She looked at the girls scrubbing cobblestones, wondering if he spoke the truth. “Where are their parents?” she asked.

He shrugged. “The police probably took them away,” he said. “You’d be surprised how many Jews don’t do as they’re told.”

“And the children are abandoned?” she asked, unable to believe it. “How can anyone expect them to fend for themselves?”

His eyes narrowed. “Who cares?” 

“I think everyone does,” she said. “They’re innocent children.”

“You’re too kind,” he said. “I think of them much differently. Everyone does.”

She wasn’t sure what he meant. “Excuse me?” she asked, head cocked.

“They’re vermin,” he said with disgust. “Just like their dead parents.”

Monika’s pulse quickened. She couldn’t appear sympathetic. She might be arrested if she did. “Yes, of course,” she said. “All of Vienna agrees.” She stepped away, pretending to admire merchandise in an adjacent shop window.

Heinrich Hahn approached an older woman and described different radios he had for sale. Monika eyed him warily, afraid he might summon a policeman because of how she had reacted. Or had he not paid attention? She turned toward the street. She would leave while he was distracted.

“Halt!” a soldier shouted. 

Her heart raced as a young man wearing spectacles ran toward her. He had come from the group of Jews waiting for visas. A soldier lowered his rifle and fired, the sound echoing off the hallowed walls of the cathedral.

Monika gasped, her hand to her mouth. The Jew fell ten meters away, his spectacles thrown on the cobblestone, blood staining his jacket. She started toward him, hoping to help.

“What happened?” Hahn asked as he touched her arm.

“I don’t know,” she stammered. “The soldier shot him for no reason. Why would he do that?”

“Because he was running away,” an older woman in a plush hat said sternly.

“Running from what?” Hahn asked.

“Something he shouldn’t have been doing,” the woman said, her lips curled with hatred. “But who cares? He’s a Jew.” 

Monika eyed those around her as a crowd quickly formed. No one seemed alarmed, even though most moved close to buildings, not sure what had happened. They showed curiosity, not compassion. None were pale, as she was, her stomach queasy, disgusted at the loss of life. The Jews waiting for visas stayed still, afraid to move. Parents protected their children, moving in front of them so they couldn’t see. The adults were used to being mistreated; most had seen death. They pretended nothing had happened, looking away from the soldiers or down at the ground, their gazes averted. The women scrubbing the street continued to do so, but the two girls didn’t know any better. They stared at the bleeding man, fear on their little faces.

 A soldier trained his machine gun on the Jews, his back to Monika, as the rest hurried toward the man who was shot. She looked at the girls and then back to the soldiers. Those around her were focused on the Jew dying in front of them. No one was watching her, not even Heinrich Hahn. But why would they? And then, without thinking of the consequences, she rushed toward the girls.

“Hurry,” she hissed, looking around wildly as she reached out her hand. “Come with me.”


 ✧ Buy Link
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This book is available on #KindleUnlimited


John Anthony Miller


John Anthony Miller writes all things historical—thrillers, mysteries, and romance. He sets his novels in exotic locations spanning all eras of space and time, with complex characters forced to face inner conflicts—fighting demons both real and imagined. He’s published twenty novels and ghostwritten several others, including Another Soul Saved. He lives in southern New Jersey.


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Thursday, 16 April 2026

✧ Book Review ✧ A Plethora of Phantoms (Spirited Encounters Book 2) by Penny Hampson





A Plethora of Phantoms 
(Spirited Encounters Book 2)
By Penny Hampson


Publication Date: 3rd February 2026
Publisher: PP&M Publishing
Print Length: 259 Pages
Genre:  Paranormal Ghost Romance / Gay Romance


Whose footsteps in the dark?

He is heir to the earldom of Batheaston and lives in an elegant, stately home, but handsome twenty-something Freddie Lanyon is not a happy man. Not only is he gay and dreading coming out to his family, but he’s also troubled by ghosts that nobody else can see.

When Freddie’s impulsive purchase of an antique dressing case triggers even more ghostly happenings with potentially catastrophic consequences, he has to take action.

Freddie contacts charismatic psychic Marcus Spender for help and feels an immediate attraction to this handsome antique dealer –– a feeling that is mutual. But the pair’s investigations unearth shocking, long-buried secrets, which prove a major challenge to their task of laying unhappy spirits to rest and to their blossoming relationship.

Being brave isn’t one of Freddie’s standout qualities, but he’ll need all the courage he can muster to rid himself of wayward phantoms and get his life on track.

A Plethora of Phantoms is an uplifting ghostly tale about love, friendship, and acceptance.

✧ Review ✧

Freddie goes back to Lanyon Park not really expecting anything to be different. If anything, it feels like he’s just slipping back into something that was already decided for him. It doesn’t feel like a choice so much as something he has to do, and that comes across straight away. It should feel familiar, but it doesn’t quite. Like something’s shifted while he’s been gone, even if he can’t really explain it.

Early on, there’s more focus on the dressing case than anything obviously strange. It kind of stands out before you really know why, like it matters in a way Freddie hasn’t figured out yet. The weird stuff comes after that.

Then the small things start happening. Nothing big or dramatic, just… off. His stuff being moved, tidied away, put somewhere he knows he didn’t leave it. At first you could probably brush it off, but it keeps happening, and that’s what makes it creepy. It starts to feel a bit deliberate, which is worse.

Freddie feels very real in how he deals with it. He doesn’t jump straight to thinking it’s haunted or anything, he tries to explain it, make it make sense, but that only works for so long before it just doesn’t anymore.

Marcus—a handsom antique dealer—shows up and changes the dynamic quite a bit. He’s one of the first people to really take an interest in the dressing case, noticing things Freddie doesn’t and kind of clocking that it’s not just some random object. And from there, things sort of grow between them. Their relationship is actually a big part of the story, and it’s done really well. It’s not rushed or overly intense, but it doesn’t feel like a side plot either. It just builds in a way that feels natural.

The mystery itself comes together pretty slowly, mostly through small bits and pieces rather than big reveals. The dressing case ends up being a key part of it, pointing back to something that’s been left unresolved for a long time. I liked that it doesn’t rush to explain everything, it just lets it unfold.

By the end, when things finally click into place, it feels deserved. There’s a kind of quiet resolution to it—not just understanding what happened, but feeling like it’s finally been settled. It doesn’t try to do anything too dramatic at the end, which honestly suits the book.

One thing is for certain—I have definitely been put off buying antiques. I mean, yeah, someone to tidy up after me would be nice but… oh. Shiver.


 ✧ Buy Link ✧ 
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Read with #KindleUnlimited

Penny Hampson


Penny Hampson writes mysteries, and because she has a passion for history, you’ll find her stories also reflect that. A Gentleman’s Promise, a traditional Regency romance, was Penny’s debut novel and the first of her Gentlemen Series. There are now four novels in the series, with the latest, An Adventurer’s Contract, released in November 2024. Penny also enjoys writing contemporary mysteries with a hint of the paranormal, because where do ghosts come from but the past? The Unquiet Spirit, a spooky mystery/romance set in Cornwall, is the first in the Spirited Encounters Series. Look out for A Plethora of Phantoms coming soon.

Penny lives with her family in Oxfordshire, and when she is not writing, she enjoys reading, walking, swimming, and the odd gin and tonic (not all at the same time).

If you’ve enjoyed any of Penny’s books please leave a review on Amazon, Bookbub, or Goodreads, and let other readers know!

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Tuesday, 7 April 2026

✧ Book Spotlight ✧ The Last Fatal Hour by Jan Matthews



The last fatal hour

By Jan Matthews


Publication Date: April 7th, 2026
Publisher: Coffee and Ink Press
Pages: 310
Genre: Historical Mystery


A budding socialite haunted by war steps into the Brooklyn Heights world of whispers, seances, and murder.


For Leona Gladney, former woman soldier of the Union Army, life goes on despite the echoes of the battlefield in her heart. Now a suffragist and budding socialite in Brooklyn Heights, she yearns for a literary life and family. But her husband’s business partner embezzles their money and disappears.


The society matrons of Brooklyn Heights turn a gimlet eye on Leona after the suspicious death of a wealthy friend. Leona will do anything to find justice for her friend and clear her own name, but she finds only secrets, seances and murder.




✧ Buy Links 

Universal Buy Link



Jan Matthews


Jan Matthews is an American expat living in the sunshine in Portugal. She is (finally) retired from HIM and writes historical mysteries from the Middle Ages to World War I. When not writing or drinking coffee and wine in nearby cafes, she knits and crochets for charity and reviews books on her blog.

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✧ Book Review ✧ Lucie Dumasby by Katherine Mezzacappa

Lucie Dumas By Katherine Mezzacappa Publication Date: March 30th, 2026 Publisher: Stairwell Books Pages: 278 Genre: Historical Fiction Londo...