Tuesday, 31 May 2022

✧ Book Spotlight ✧ Angels and Bandits by Brodie Curtis #HistoricalFiction #WWII #BlogTour @BrodieCurtis4 @maryanneyarde



Angels and Bandits
By Brodie Curtis

The Battle of Britain rages and two young RAF pilots from very different stations in life must somehow find common ground—and stay alive.


On the eve of World War II, working-class Eddy Beane is a flight instructor in London. He successfully completes dangerous espionage missions for Air Commodore Keith Park and takes on society-girl June Stephenson as a student. Her ex-fiancé, Dudley Thane, is also a flyer, but upper-class and Cambridge-educated. When the German Luftwaffe attacks England in 1940, Eddy and Dudley end up serving in the same Spitfire squadron. Aerial combat is intense, and both men show their skills and courage, but can they set aside jealousy and class differences to become fighting brothers for the defence of Britain? 


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Brodie Curtis

Raised in the Midwest, Brodie Curtis was educated as a lawyer and left the corporate world to embrace life in Colorado with his wife and two sons. 

Curtis is the author of THE FOUR BELLS, a novel of The Great War, which is the product of extensive historical research, including long walks through the fields of Flanders, where much of the book's action is set. His second novel, ANGELS AND BANDITS, takes his protagonists into The Battle of Britain. Curtis is currently working on a novel set on a Mississippi Riverboat prior to the Civil War.

A lover of history, particularly American history and the World Wars, Curtis reviews historical fiction for the Historical Novels Review and more than 100 of his published reviews and short takes on historical novels can be found on his website: brodiecurtis.com.  

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Monday, 30 May 2022

Book Review (FIVE STARS) Apollo’s Raven (Curse of Clansmen and Kings, Book 1) by Linnea Tanner @linneatanner @maryanneyarde




Apollo’s Raven
(Curse of Clansmen and Kings, Book 1)
By Linnea Tanner
Narrated by Kristin James

A Celtic warrior princess is torn between her forbidden love for the enemy and duty to her people.

AWARD-WINNING APOLLO’S RAVEN sweeps you into an epic Celtic tale of forbidden love, mythological adventure, and political intrigue in Ancient Rome and Britannia. In 24 AD British kings hand-picked by Rome to rule are fighting each other for power. King Amren’s former queen, a powerful Druid, has cast a curse that Blood Wolf and the Raven will rise and destroy him. The king’s daughter, Catrin, learns to her dismay that she is the Raven and her banished half-brother is Blood Wolf. Trained as a warrior, Catrin must find a way to break the curse, but she is torn between her forbidden love for her father’s enemy, Marcellus, and loyalty to her people. She must summon the magic of the Ancient Druids to alter the dark prophecy that threatens the fates of everyone in her kingdom.

Will Catrin overcome and eradicate the ancient curse. Will she be able to embrace her forbidden love for Marcellus? Will she cease the war between Blood Wolf and King Amren and save her kingdom?

Trigger Warnings:

Sex, Violence, Sacrificial Rituals


✧ Review ✧

Where do I even begin? This novel was brilliant, and I know it sounds kinda clichéd but from the opening line, I was hooked. I loved how the author has drawn a vivid setting and I loved all the mythological elements to this story as well. The story flowed smoothly and I have to be honest, I lost track of time and was so engrossed that I read this book in one sitting, finishing it at three in the morning! (who needs sleep?!)

I really enjoyed getting to know the characters in this novel, I was particularly drawn to Marcellus who is thrust into this foreign world and finds himself fumbling along, trying to make sense of it. His passionate feelings for Catrin cannot be contained, and he is swept along by his passion.

There was nothing about this novel that I did not like. It is one of those stories that I can see myself reading again and again.


✧ Purchase Links ✧

Amazon Barnes and Noble Waterstones Kobo ✧ iBooks ✧ GooglePlay ✧ Booktopia ✧ Books-A-Million  


✧ Audio Links ✧

Audible  ✧ iTunes 


✧ Series Links ✧

Award-winning author, Linnea Tanner, weaves Celtic tales of love, magical adventure, and po-litical intrigue in Ancient Rome and Britannia. Since childhood, she has passionately read about ancient civilizations and mythology. Of particular interest are the enigmatic Celts, who were reputed as fierce warriors and mystical Druids.

Linnea has extensively researched ancient and medieval history, mythology, and archaeology and has traveled to sites described within each of her books in the Curse of Clansmen and Kings series. Books released in her series include Apollo’s Raven (Book 1), Dagger’s Destiny (Book 2), and Amulet’s Rapture (Book 3). Skull’s Vengeance (Book 4 Curse of Clansmen and Kings) is anticipated to be released in late October 2022.

A Colorado native, Linnea attended the University of Colorado and earned both her bachelor’s and master’s degrees in chemistry. She lives in Fort Collins with her husband and has two children and six grandchildren.


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Thursday, 5 May 2022

✧ Book Excerpt ✧ Strung by ⟅Roske #HistoricalFantasy #roskechronicler #BlogTour #CoffeePotBookClub @RoskeChronicler @maryanneyarde

 



Strung
By R̫o̮s̫k͚e̫

Few in the world of Iodesh believe the Faye are more than legend—until an unwanted suitor captures one as Lady Lysbeth Haywood's bride price.

Presented with the Faye, Lysbeth is torn between her excitement to learn more about the legendary people, her dread at the possibility of a forced engagement, and her battle of attrition with Avon society.

It's worth the struggle, for as layers of the Faye's extraordinary mysteries are peeled away, their revelations—and Lysbeth's own role in them—reach farther than she ever thought possible.

Excerpt


TUNE-UP 


(aka Prologue, Scene III)

Sky-blue silk rises and falls with Lysbeth Haywood's sigh; her matching eyes re-read the message held taut in her hands:

...how I pined over Spring Equinox. You spoke of your childhood fascination with Faye, and in the course of your speaking, the shapes of your mouth transfixed me. Ever hot did my yearni—

Ignoring the drivel on either end:

...a pigeon arrived from their ship. They have done it, My Lady! They have captured a being wrapped in silver! Not in five-hundred years has this been accomplished, if we are to believe the tales!

They have been instructed to dock at Limingten, where I will examine the cargo personally. If it is acceptable, I shall hasten to Lindenholt Manor with every intention of gifting this very rare creature. I will not attempt to hide my desire, sweet Lady, that this offering might induce your passions for me...

The parchment wrinkles in Lysbeth's grip as her gaze returns to the window of her sitting room.
Hers is a leisurely life, if somewhat dull. All the duller now, as most men of gentry and peerage are occupied with the Kingswar to the North. Unfortunately for Lysbeth, one gentleman was given leave from the fighting.

The Earl of Dorsit, referred to simply as Dorsit, had been preening and panting over her for the better part of a year, though he was hardly first. Lysbeth's height—nearing six feet—pleasing features, and polished mannerisms lend her an air of elusive refinement uncommon to those of twenty-three. Before the Kingswar, Avonleigh Lords with questionable views on compliments had taken to calling her a "jewel of the court." She'd been sure to meet their expectations: sitting pretty and silent in her setting, pointedly cold to their advances.

Dorsit is no exception. Lysbeth finds his personality as disagreeable as his attentions, but her opinion matters little, as he's never cared to acknowledge it, and her refined sense of propriety prevents her from dismissing him outright. Over Spring Equinox, the Earl had called on Lysbeth and her brother, Isaac, Marquess of Edenshire. Though she'd taken great pains to be civil, Dorsit's company was difficult to tolerate, and she'd soon fallen back on a subject which offered her repose from several disquieting events throughout her life: the debated existence of beings known to her countrymen as Faye.

As topics go, it was an unfashionable choice. Any Avon of good breeding would tell you the Faye belong to children and half-mad carousers. Thus, Lysbeth was sure to make an overzealous presentation, and Dorsit's premature departure suggested her plan had worked to put him off. Now she realizes her liveliness had spurred his affections instead.

She folds his ink and turns to a young woman reading in the middle of the room. "Anything?"
Elane closes the book in her lap. Its spine reads, Evidence for the Faye: A Collection of Accounts from the Dawn of Man. "No, the most recent records are the Spencish galleon and the burning of Corburg. Nothing we would've forgotten."

Resigned, Lysbeth joins her cousin on the couch. The veracity of Dorsit's far-fetched claims can't be determined until his arrival in two weeks. She'd, rather pointlessly, hoped something in the book might provide her with the truth now, sparing her the need for patience.

Though appearances of Faye are scattered across ages  of historical record, their existence is disputed for two reasons: the outlandish descriptions of their physical appearance and abilities, and the frustrating peripheral events which always seem to accompany the main accounts—leaving just enough room to question their authenticity.

The encounters Elane has just mentioned are prime examples of the latter.

Five-hundred years ago, the seafaring nation of Corburg proudly claimed the capture of a Faye—or Syren, as the Corburgish called them. Within a month, a devastating fire swept across the capital where the Syren was said to reside. Corburg's much larger neighbor took advantage of the chaos and invaded before the ashes settled, ensuring the loss of any singed primary records through the ravages of their brief and brutal occupation.

Two centuries later, a Spencish patrol galleon set after a sparkle at the edge of Spencish waters. After hours of slow gains, the sparkle took the form of an unfamiliar vessel and deposited a small craft into the water. Despite the mothership's unanticipated surge of speed, the Spencish galleon pursued it for a time, returning later to find no sign of the scow. Though specifics of the account matched others before it, the report was largely discredited due to additional claims of a dragon's silhouette in the clouds.

Lysbeth bites her cheek.

"Please don't fret, Lys. Dorsit must be teasing you," Elane says, placing Evidence on an end table.
"I would agree, but then what could give him cause to so openly state his intentions?" She scans the message again and runs her thumb over the referenced line. "Here, 'that this offering might induce your passions for me,' he writes. You see? He seeks to extort my sense of obligation."

"Well, Dorsit is hardly a beacon of wit. Perhaps he's been fooled by his hired sailors? Or perhaps his men believe they've caught a Faye but in truth they..." Elane's brow knits.

"Precisely. How is one meant to mistake a Faye for anything else?" Lysbeth asks, waving the parchment. "Alder's descriptions were quite clear."

Were it not for Alder, the Haywood family's peculiar progenitor, it's unlikely any Haywood would've given the Faye much thought. After all, such rare and undependable accounts left little else to be said about Faye which hadn't already been said over millennia. Alder's own account, however, begged pardon from this rule.

Three centuries ago, Alder rose from Earl to Marquess, bringing the Haywoods into Avonleigh's elite peerage. Given the southern county of Edenshire and a new residence at Castle Lindenholt, his dutiful approach to Sovereign and soil was regrettably short-lived when, after his supposed loss at sea, Lindenholt passed to his wife until his young son came of age. Even today, such tragedies are common enough, though less common is the return of the lost decades later.

Thirty-four years after Alder's disappearance, he'd reappeared on Lindenholt's stone court offering vague explanations for his fated voyage and blaming his protracted return on a bout of amnesia. Rejoicing Lindenholt residents chose to muzzle the gift horse rather than pry its mouth, and the remaining nine years of Alder's life were merrily spent. It was a happy piece of Haywood family trivia, and would have remained so, had the letter Alder composed in secret not been found by his son after his death.

In truth, according to Alder, a Faye ship had spirited his own away to their homeland—where he'd lived in bliss until the desire to see his child once more compelled his return to Avonleigh. Alarmed by nearly every passage of the letter, Alder's son assumed his father's madness and kept the document a family secret. So it happened this account of the Faye—by far the most detailed—remains unknown to the world at large, passed down through generations of Haywoods as a source of great debate and whimsy among them.

"Yes, but Dorsit's sailors aren't privy to Alder's letter. His descriptions of Faye were humanlike, but they'd be searching for something from a Fayetale." Elane tilts her head to Evidence. "Something intelligent but inhuman, like a chimera or a shapeshifting demon."

"Aye, but the captured wears some manner of silver attire, just as Alder said," Lysbeth counters. Satisfied Elane's confoundment has reached suitable levels at last, she skims the message again. "'…examine the cargo personally.' Whatever they've found, Dorsit considers it more debris than intelligent being." She returns the letter to her lap indignantly. "Why should I be made to accept such a man? Even supposing his claim is true, would Father really secure a person as my price?"

"Considering tradition, he may not have a choice. And Isaac is liable to take Dorsit's view on personhood regardless." Elane cups her cousin's flexing fingers. "We'll find a way out if it comes to it, Lys, but we won't know anything for certain until Dorsit arrives."

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R̫o̮s̫k͚e̫


R̫o̮s̫k͚e̫ is Strung's diegetic author and illustrator. Its real-world counterpart began building the world of Strung at age 12 to disassociate from budding bisexuality and physical disabilities—and eventually traded adversity's escapism for inspiration


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